Updates: Check out the new photo section! 5-06-2026
June 7th, 2026 the Stellardrone - Airglow remix below is a free download, thanks for listening!
I offer a hefty discount code for my music on http://aaronmarshall.bandcamp.com Enter MUSIC95 for 95% off. I don't really care about making money. This'll give you access to incredibly high definition versions of it.
This is a cover I did with the great coloratura soprano from Spain, Lara Ausensi.
My other project, Hydra Coil, delves deeper into the ambient genre, with a more purist approach. It began in 2004, when my friend Marcus Aurelius was living in Australia. We had a unique synergy and would often inspire each other creatively. He would send me a clip, and I would add melodies, movements, and enhancements to it, then send it back. Our dream was to produce a full-length album one day, but it seemed like a distant possibility. We continued to exchange clips and create short songs, but nothing significant emerged until 2010. By then, we were living closer together in Northern California, and everything fell into place. We spent about 6-7 months working tirelessly on our album, NOVA, and it was a magical experience. We finally achieved our goal and it was like climbing the peak of Everest and returning to tell the tale. The album was mastered by Grammy award-winning engineer John Greenham (Billie Eilish) and it exceeded our expectations. We have since released seven studio albums and are currently working on our eighth.
LINKS
Enhance your creative projects with my collection of high-quality field recordings. These sounds were carefully captured by me over the years and are constantly updated (when I get around to it!). Use them in your own work, but don't forget to give me credit and link back to my site. I would love to see how you use these sounds and hear the finished product. Explore the possibilities and elevate your audio to the next level with my field recordings.
more to come soon... not sure If I'll stick with bandcamp for this or not.
I have been creating hybrid pieces, seamlessly blending 3D elements with reality captured in photographs. Through the utilization of 360-degree light samples, high megapixel photographs, and advanced 3D rendering techniques and particle systems, I am able to accurately simulate all practical light sources and atmospheres with an extremely high level of accuracy, while still allowing for a degree of creative freedom in the insertion of imaginative elements with 3D models and textures.
The final stage of my process involves the incorporation of classical 2D elements, digital tools, blending, burning and dodging, all guided by a deep understanding of color grading and the photographic process. This allows me to bind the technological and aesthetically disparate elements together into a cohesive and evocative tapestry, guided by the overarching principles of my art direction.
The process is fascinating to me, granting me the ability to breathe life into concepts that transcend the boundaries of science fiction and fantasy, the unusual and abstract, and even the extraordinary and supernatural. Through this medium, I seek to not only convey ideas, but also to give form to the intangible musings of my dreams and nightmares.
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